№ 1 (17), 2022

GERASYMENKO O. D., REMENIEVA T. V.,

FROLOV I. V., TRUSHYNA T. K.

Artistic and Compositional Features of Children’s Costume in Ukraine of the 20th – Early 21st centuries

DOI:10.30857/2617-0272.2022.1.1

VOROBCHUK M. S., PASHKEVYCH K. L.

Typology of Coding Systems in Graphic Design

DOI:10.30857/2617-0272.2022.1.2

BELICHKO N. Yu., CHEIPESH A. I.

Historiography of the Study of the Artistic Legacy of E. Kontratovych

DOI:10.30857/2617-0272.2022.1.3

VERES M. K.

Comparison of O. Slastion’s School Building Decoration with National Style Searches in School Architecture of Other Countries at the Turn Of The XX century

DOI:10.30857/2617-0272.2022.1.4

HABREL T. M.

History of Vjing Arirising as a Genre of Modern Media Art

DOI:10.30857/2617-0272.2022.1.5

POPOVA I. І.

Features of anti-cafe interior design with the presence of animals

DOI:10.30857/2617-0272.2022.1.6

PRASOL S. І., KHYNEVYCH R. V., KOVALYOV Y. A.,

OVCHAREK V. Ye., SKLYARENKO V. O.

Peculiarities of Teaching the Discipline “Perspective and Shadows” for Students of Design

DOI:10.30857/2617-0272.2022.1.7

RADOMSKA V. R.

Stained Glass Art of Sacred Space in the Works of Yuriy Novoselsky

DOI:10.30857/2617-0272.2022.1.8

SILOHAIEVA V. V.

Analysis of Graphic Agitation Technique in the Posters of Henry Tomashevsky and Jan Lenica

DOI:10.30857/2617-0272.2022.1.9

HU XIAN

Mask as an Object of Artistic Research in China: Experience of Methodological Synthesis

DOI:10.30857/2617-0272.2022.1.10