10.30857/2617-0272.2024.3
PUBLISHED: 25.09.2024
TABLE OF CONTENTS
№ 3 (27), 2024
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CHENG Kai, SKLIARENKO N. V. Ways of Integration of Traditional Chinese Embroidery in Modern Visual Design |
11 |
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DING Yi, KOLOSNICHENKO O. V. Chinese Ancient Folk Traditional Auspicious Patterns in Modern Clothing Design: An Example of Su Embroidery |
26 |
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HUO Dongze, SKLIARENKO N. V. Digital Redesign of Traditional Chinese Textile Patterns: A Synthesis of National Traditions and Innovations |
39 |
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LI Chenxi, BULHAKOVA T. V. The Theory of “Atmospheric Aesthetics” in the Environmental Design of Traditional Chinese Villages |
57 |
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MA Wenjuan, CHUBOTINA I. M. Regeneration of the Design of Weaving and Embroidery Patterns Based on Artificial Intelligence Technologies |
65 |
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MATCAN-LISENCO I. I. Exploring the Integration of Traditional Batik Techniques and Nanotechnologies in Contemporary Jewelry: Perspectives, Innovations |
75 |
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MYGAL S. P., MYGAL V. P., MYGAL G. V. A Hybrid Approach to Learning Based on Emotional Experience and the Development of Innovative Metathinking in Post-War Ukraine |
86 |
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SHIYANG Wang, KOLOSNICHENKO O. V. Study of Miao Embroidery: Semiotics of Patterns and Artistic Value |
98 |
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VASYLIEVA K. V., KOLOSNICHENKO O. V. Decorative Painting as a Means of Translating Cultural Semantic Narrative |
110 |
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XUE Mei, BULHAKOVA T. V. Peculiarities and Development Strategies of Architectural Decorative Art in the Ancient Huizhou Region, China |
121 |
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YANG Yi, DUBRIVNA A. The Stylistic Features of the Design of Posters of the Xi’an Film Studio |
134 |
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ZHANG Weidi, KOLISNYK O. Urban Landscape and Digital Preservation of Heritage Sites: a Case Study of the Ancient City of Shandan in Gansu, China |
143 |
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ZHANG Zhiyuan, CHUBOTINA I. The Role of Interactivity in Visual Communication Design |
156 |
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BERDYNSKYKH S. O. Collage in Design: A Tool or A Form of Professional Thinking? |
164 |
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DIDENKO O. M. Advertising Video as a Synthesis of Media: Ukrainian Wartime Realities |
178 |
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ZASTAVNYI R. S. Historical Stages of Formation of The Design of Rehabilitation Centers for the Military |
190 |
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KUZMENKO V. V., OSTAPENKO N. V. Designing an Ergonomic Protective Mask: Visualisation and Selection of 3D Scanner and Software |
204 |
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LOZA N. A., NOSENKO A. I. The Image of the Family in the Thematic Paintings of the National Artist of Ukraine Adolph Loza |
218 |
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MYKHAILOVA R. D., BULGAKOVA T. V. Rose Motif in the Work of Salvador Dali |
233 |
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OLIINYK H. M., RUBANKA A. I., MAMCHENKO Ya. O., OSTAPENKO N. V., KYZMENKO V. V. Textile and Haberdashery Products: Assortment, Purpose and Quality Indicators |
243 |
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UDRIS-BORODAVKO N. S., HORDIICHUK Ya. Yu. Integral Model of the Designer’s Personal Brand |
256 |
| Triumph of the winners | 267 | |
| If There is no Wind, You Have to Stand on the Oars | 272 |