№ 1, 2025

Berdynskykh S., Yakovliev M., Pashkevych K.

Creative experimentation and the generation of innovative ideas in artistic design

https://doi.org/10.30857/2617-0272.2025.1.1

Horichko Ya.

Sacralisation of the female image during wartime in Ukraine and its reflection in graphic artworks

https://doi.org/10.30857/2617-0272.2025.1.2

Reshetnova H.

Stylistic features of Western ceramics in the first quarter of the 21st century

https://doi.org/10.30857/2617-0272.2025.1.3

Skaskiv O., Chuprina N.

Implementation of elements of traditional art in the creation of a contemporary fashion collection

https://doi.org/10.30857/2617-0272.2025.1.4

Soloviy I.

Principles and criteria of sustainable fashion in scientific discourse: A contemporary Ukrainian context

https://doi.org/10.30857/2617-0272.2025.1.5

Tarasenko A., Tarasenko O.

Interpretation of Lesya Ukrainka’s feerie drama in the Panel Painting by R. Petruk, “Forest Song”. School of M. Storozhenko

https://doi.org/10.30857/2617-0272.2025.1.6

Khynevych R., Batrak V., Skliarenko V., Vasylenko O.

Character’s visual image creation in multimedia projects

https://doi.org/10.30857/2617-0272.2025.1.7

Shevchuk T.

Creative approach to rhythmic gymnastics costume design

https://doi.org/10.30857/2617-0272.2025.1.8

Shevchuk Kh.

Sketching as a tool of creativity: Transformation of methods in fashion design

https://doi.org/10.30857/2617-0272.2025.1.9